As we are about to see Meryl Streep's performance as Margaret Thatcher in the new film The Iron Lady, this is a small reminder of how plenty of people – like Piper, who back in 1982 had co-founded BLK Art Group to link art with politics affecting black people – saw Thatcher's presence at the time as a negative one. I also took a shot of Piper in front of another of his large paintings – of children in Soweto – thinking that Thatcher filling the framing of this photo might work against it being an image of Piper. But I think his pose and expression belie the domination of Thatcher in the frame. There's an article about Piper's work at the time here, through which I learned only as I write this 25 years later, that one of his paintings – sourced "from other people's photographs" – was from a photograph I took of a woman who had been raped by the police. (She is second from left in the photo at the top of the page.) A strange coincidence across time. For City Limits.
Monday, 19 December 2011
Portraits: 27
As we are about to see Meryl Streep's performance as Margaret Thatcher in the new film The Iron Lady, this is a small reminder of how plenty of people – like Piper, who back in 1982 had co-founded BLK Art Group to link art with politics affecting black people – saw Thatcher's presence at the time as a negative one. I also took a shot of Piper in front of another of his large paintings – of children in Soweto – thinking that Thatcher filling the framing of this photo might work against it being an image of Piper. But I think his pose and expression belie the domination of Thatcher in the frame. There's an article about Piper's work at the time here, through which I learned only as I write this 25 years later, that one of his paintings – sourced "from other people's photographs" – was from a photograph I took of a woman who had been raped by the police. (She is second from left in the photo at the top of the page.) A strange coincidence across time. For City Limits.
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